Monday, May 22, 2006

kewl stuff



yeah, I haven't had a lot to blog about this last week. - haven't been that productive and been been playing some Quake 4 (nice!). But I thought I could at least point out some cool stuff.

GEZFRY!
check out the art of a crazy insane talented illustrator. My friend David turned me on to this work.
http://www.gezfry.com/gallery.shtml

A SCANNER DARKLY
I can not wait for this flick. From the director of Waking Life. A really cool looking animation/film mixture from a story by Phillip K. Dick.
Official site
http://wip.warnerbros.com/ascannerdarkly/

Tuesday, May 16, 2006

new layouts






these are layouts for a comic story
this is not finished art- the drawings here will be retraced and reinked to create smoother lines and higher detail. My process for this project is to do the entire book in layout pages like this- then essentially redraw the entire thing. The work is too complex to try it all at once, and working this way I'm much more free to be experimental in the layout process.
These drawings are from two separate scenes- so the last two pages aren't meant to flow from the first three.
These were created pretty big- about 13"x19" - with pencil & marker (the 3rd one was brush & ink)

Saturday, May 13, 2006

Will Eisner


This is a picture of myself and Will Eisner-the inventor of the graphic novel. The pic is a few years old. I met Will back in the first year that I hit the San Diego con with the ghostwerks crew. Today, I needed to get a scan of the pic and I thought it would be a good opportunity to blog about Will and his influence on me.

Eisner's impact on comics really can't be understated. Will was around from the earliest days, both as an artist and writer, and as one of the industry's first publishers. He gained wide recognition doing an eight page comic called the Spirit that shipped with American sunday newspapers. Later, Will pioneered the use of comics for teaching purposes in the army and for corporations. In 1970, Will invented what today is know as the graphic novel, with the publication of A Contract With God. A later work of his, Comics and Sequential Art, would be considered as THE bible for comics teaching for many years. Eisner continued to release graphic novel after graphic novel until his death last year.

Comics' most recognized award, our version of the Oscars, is called the Eisner.

Other people document this better than me (obviously). But generally I just want to communicate that Will was really an important figure in the history of this, my favorite artform. His work itself has a huge influence on me. I think of Will as the master of cartooning and simplifying the human form. He made drawings which were very cartoony, yet at the same time show a true craftsmanship for illustration. When I saw Will's work and injected his influence into my style, it was like I had figured something important out about how I was supposed to draw. To this day, his influence is all over my work.

Meeting Will in San Diego was a big deal to me. He was signing at a booth. I waited for him a bit and asked if he would look at my portfolio. He quickly glanced and then said that he would only be signing here a minute, and could I wait by the side for him to finish so that he could look at it more. I did and he gave me a thorough review. At this point, I had very little experience. I'm sure there were prolific pros who would've loved to get that kind of review from Will.

He was extremely encouraging. I remember he pointed out a very simple, simple drawing (in a complex page) and told me that that figure had much more life than the others I had spent so much time drawing.

That was a great experience for me and something I'll always keep in mind. To this day, this photo of Will and I sits above my drawing table. When Will passed, part of my sadness came from knowing a dream of mine had passed- Will would never see me reach the status of an important creator in the artform. Sigh.

Many thanks, Will. Your influence on me was and is great. Thank you for sharing your time, and dedicating your life to this art.

www.willeisner.com

Thursday, May 11, 2006

new sketches posted to my gallery


I put 4 new sketches up in the gallery this morning.
they can be seen here.

Wednesday, May 10, 2006

More napkin drawing



Because Babette dug the napkin pieces, here's another one. Drawn at the Stonleigh P on Monday afternoon.

Tuesday, May 09, 2006

Art from the Gallery






My friend Eric Swanson reccomended that I put more of my gallery pieces on this blog. It hadn't really occured to me that folks would see this who never went to my website. (duh- I'm kinda new to this). Anyway, here are three of my favorite pieces from my site. To see much much much more, visit it at artlovemagic.com.
thanks Eric

Art for Shep


Shep Hyken is a speaker/author who uses my work to communicate to his clients. We do a cartoon strip together called Moments of Magic. This new illustration is something he requested for his marketing broshure. Click on the image to enlarge.

On my website you can see more of my work with Shep. Check the projects page and the corporate gallery under the art gallery.

Monday, May 08, 2006

Miss Monster rules




Here's the painting I bought from the uber talented Melita Murphy. Her website is a monster's gut full of fun. She does painting sculpture and costume design. Her site is www.missmonster.com

And yes, that's my new shaved noggin in the pic.
Ya shoulda seen it on day one.

Michael pays 30 bucks for a dead kitty

Signing report
Well, both signings were good times. I put together a few prints of my work to sell, and I sold more than I thought I would. What was great about that was that I think most people who bought them really picked them up because they liked the art, not because they knew me or were trying to support ghostwerks or whatever.

The folks at Titan are all good peeps. And they had a nice gathering of local writers and artists. Titan is a truly great shop to shop (shop to shop?), especially if, like me, graphic novels are your thing. The Zeus show (Cape2) was much bigger and Richard and the crew over there really put together a fantastic collective of talent and small publishers. That show was outside under a big carnivale tent and was really well attended despite the fact that it rained pretty ferociously.

At the Zeus show I was more of a fanboy. I hung out at the ghostwerks table for an hour or so, and did a few sketches, but I spent the better part of my time just walking around and buying stuff. James Kochalka (Monkey vs. Robot, Peanutbutter and Jeremy, Pinky and Stinky) was selling little paintings for $30. I bought the dead kitty one (above) thinking I might send it to my friend Leigh, but too late, I'm in love with it. It's mine!

I also bought an Andy Lee original. Andy is a self described Zen painter. His work is crazy beautiful and crazy fast. He had a huge crowd around him all day watching him work in his freakishly kinetic way. Andy paints rapidly and regularly usings his brushes, his palms, and his forearms to paint. He uses the shoulder of his tee shirt to smooth his brush, so by the end of the day he's covered in paint. He produces a painting in about 5-7 minutes, and while I was there, he never once stopped. Go check out his website right now. http://www.findandy.com/home.cfm

I bought one more- a gorgeous gorgeous gorgeous painting by Melita Curphy. But I want to snap a picture of it, so I'll do that and post it tomorrow.

All in all, it was a great day. It was good to get back into the comics scene and I felt really good about supporting other artists.

Friday, May 05, 2006

more gorillas




let the apes keep on rolling
The thing that's kind of fun about these is that the line drawings are actually pretty simple. Most of the work is in the coloring. I've also found that good coloring allows you to skip a lot of the traditional line variance work. All the lines on these two are basically one thickness.

Thursday, May 04, 2006

Gorillas in a Happy Mood



Witness the strange creations! Giant gorillas stalk the city, gleefully causing destruction and mayhem.

These are drawings I began working with for a strip to be seen in Samax Randolph's Ghetto Manga Magazine. The images are created by taking a line drawing, coloring it in photoshop and again using that program to paste it on top of (or within) a photograph.

The images here are basically experiments in the technique. This kind of thing is seen in comics, but rarely done well. I wanted the concentration to be on the cartoon more than the photos. When I think of successful blending of cartoons and photography, the project that immediately comes to mind is the film Who Framed Roger Rabbit. I thought that movie really nailed it and was a blast to watch.

If you like these, check out the art gallery section of my website to see more.

Signing this Saturday!


I will be signing this Saturday (May 6th) at the Free Comic Book Day celebrations at two great Dallas comics shops. Come by and see me! I'll be giving out free sketches and giving free demos on comic book creation. Both of these events are loaded with cool writers and artists. Plus, I'll be bringing a brand new sketchbook publication for sale.


I will be signing at:

Titan Comics
from 12pm to 3pm
3701 W. Northwest Highway Suite 125
Dallas, TX 75220

Phone: (214) 350-4420
www.titancomics.com


Zeus Comics and Toys
from 3:30pm to 6pm
with the ghostwerks crew!!!
Turtle Creek Village

3878 Oaklawn Ave
Suite 100E
Dallas
TX 75219

T: 214.219.TOYS

www.zeuscomics.com

napkin drawings


I draw everywhere. As long as I have something to write with and something to write on I'm comfortable. For example- these napkin doodles were done at a bar using a ballpoint pen.

Drawings for Mario and Rob



Here are two drawings (of the same figure) that I did as gifts for friends. The figure is a girl I painted a long time ago in my first "serious" painting on canvas. That painitng is still hanging in my living room. Mario, my pal and biz partner really digs the painting. He's asked me on occassion to draw the girl from the painting again. I've enjoyed doing so, and it's kind of built a rhythm for me and a connection to this character.

Currently, Mario's serving in Iraq. I did the first drawing as a gift for him. The second is another gift (as yet undelivered) and was drawn for my friend and former painting teacher Rob Erdle. You can click on either to enlarge them.